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FOLLOW ARMEN ALEXANDER DESIGN ON INSTAGRAM

The perfect breakfast nook featuring one of my favorite sculptural pendants by PINCH.

I’m always drawn to spaces that resist one clear category. Traditional Parisian architecture, modern forms, graphic color moments interrupting calm neutrals, collected art, and minimal furniture. A room full of contrast and wins because of it.

From my camera roll, Copenhagen 🇩🇰

Philmer J. Ellerbroeks contemporary 1950s living room that feels lofty yet cozy.

Small rooms with dark walls don’t equal a smaller space; they equal dramatic moments.

I’m always drawn to spaces where material choice carries the narrative. In this instance, it's the bold stone and hardware.

When the space feels collected rather than styled. Each piece earns its place.

It feels like a scene before the dialogue starts. The Olivetti showroom in Paris was designed by the renowned female architect Gae Aulenti in 1967.

From the camera roll: Sweden

A complete reimagining of a 1950s condo designed by me just below the Chateau Marmont in West Hollywood, CA.

This project began with a deeply personal collection of vintage Hollywood film posters, years in the making, and a clear directive: let the

Low light, heavy materials, books stacked within reach. Less bedroom, more retreat, effortlessly cool.

I love a partition that does more than divide space. This one feels brutalist, textural, and unapologetic. Yet there’s an undeniable Art Deco rhythm to the space as a whole. Heavy and refined at the same time. Exactly my kind of tension.

Not minimal. Not ornate. Just deeply considered.

It’s freezing lately, so I’m mentally here. A quiet stone room, warm water, and architecture designed to slow you down.

Halston’s New York City apartment is often cited as one of the most influential interior design statements of the 1970s, not because it was lavish, but because it was radically restrained.

It was located in a former Olympic Airways building o

Space-age modernism wasn’t about fantasy; it was about precision. Curves are used sparingly. Materials are doing real work. Brutalist-adjacent architecture that trusted geometry to carry the idea

A powder room that’s cinematic, saturated, and immersive.

Art-led spaces tend to age the best. When the room gives the artwork room to breathe, everything else falls into place.

I love dining spaces that feel composed but not formal. This feels thoughtful and lived-in, even with its strong geometry and cool, rich tones. That balance is always the goal.

Design inspiration doesn’t always come from rooms. Sometimes it’s about texture, weight, and how materials and tones interact.

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Hells Kitchen
New York, NY 10019